Menù principale
B003388 - HISTORY OF CONTEMPORARY ART
Main information
Teaching Language
Course Content
Suggested readings
Learning Objectives
Prerequisites
Teaching Methods
Further information
Type of Assessment
Course program
Academic Year 2020-21
Coorte 2018 - 3-years First Cycle Degree (DM 270/04) in HISTORY OF ARCHAEOLOGY, FINE ARTS, ARCHIVES AND LIBRARIES
Course year
Third year - Annualità singola
Belonging Department
History, Archaeology, Geography, Fine and Performing Arts (SAGAS)
Course Type
Single education field course
Scientific Area
L-ART/03 - HISTORY OF CONTEMPORARY ART
Credits
12
Teaching Hours
72
Teaching Term
14/09/2020 ⇒ 28/05/2021
Attendance required
Yes
Type of Evaluation
Final Grade
Course Content
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Course program
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Lectureship
- 1 semester - last names A-L BACCI GIORGIO
- 2 semester - last names M-Z CASTELLANI CARLOTTA
Teaching Language - 1 semester - last names A-L
Italian
Teaching Language - 2 semester - last names M-Z
Italian
Course Content - 1 semester - last names A-L
The course will look at the main movements and the most important artists active from the beginning of the Nineteenth century to today, presenting at the same time problems and discussions that have marked the contemporary critical historical debate.
Course Content - 2 semester - last names M-Z
History of Contemporary Art: Major Artists, Art Movements in relation to the historical and cultural Context, Audiences and Art System, from 1815 to the 1980’s
Suggested readings - 1 semester - last names A-L (Search our library's catalogue)
Bibliography (to be tested at the exam):
1. F. Rovati, L’arte dell’Ottocento, Torino, Einaudi, 2017.
2. F. Rovati, L’arte del primo Novecento, Torino, Einaudi, 2015.
3. A. Del Puppo, L’arte contemporanea. Il secondo Novecento, Torino, Einaudi, 2013.
1. F. Rovati, L’arte dell’Ottocento, Torino, Einaudi, 2017.
2. F. Rovati, L’arte del primo Novecento, Torino, Einaudi, 2015.
3. A. Del Puppo, L’arte contemporanea. Il secondo Novecento, Torino, Einaudi, 2013.
Suggested readings - 2 semester - last names M-Z (Search our library's catalogue)
F. Rovati, L'arte dell'Ottocento, Torino, Einaudi, 2017.
F. Rovati, L'arte del primo Novecento, Torino, Einaudi, 2015.
A. Del Puppo, L'arte contemporanea. Il secondo Novecento, Torino, Einaudi, 2013.
F. Rovati, L'arte del primo Novecento, Torino, Einaudi, 2015.
A. Del Puppo, L'arte contemporanea. Il secondo Novecento, Torino, Einaudi, 2013.
Learning Objectives - 1 semester - last names A-L
The aim of the course is to provide students with the necessary tools to understand contemporary art, correctly orienting themselves in a wider cultural and historical panorama.
Learning Objectives - 2 semester - last names M-Z
The aim of the course is to provide students with the necessary tools to understand contemporary art, correctly orienting themselves in a wider cultural and historical panorama.
Prerequisites - 1 semester - last names A-L
Knowledge of medieval and modern art history and contemporary history.
Prerequisites - 2 semester - last names M-Z
We encourage students to take the Medieval Art and Modern Art courses before this course.
Teaching Methods - 1 semester - last names A-L
Frontal lessons with the possibility of opening critical discussions.
Teaching Methods - 2 semester - last names M-Z
Frontal lessons with the possibility of opening critical discussions.
Further information - 1 semester - last names A-L
/
Type of Assessment - 1 semester - last names A-L
The exam will be oral and will verify the knowledge of the topics studied during the course and the mandatory books of the first and second module. The recognition and description of the works analyzed during the lessons or published in the suggested books is also requested. A further bibliography will eventually be proposed during the course.
Type of Assessment - 2 semester - last names M-Z
The exam will be oral and will verify the knowledge of the topics studied during the course and the mandatory books of the first and second module. The recognition and description of the works analyzed during the lessons or published in the suggested books is also requested. A further bibliography will eventually be proposed during the course.
Course program - 1 semester - last names A-L
First module:
- The death of Marat of J.L. David (1793).
- Realism and Naturalism.
- Manet.
- Impressionism.
- Post-Impressionism.
- Primitivism between the nineteenth and twentieth centuries.
- Abstract art (Kandinsky, Mondrian, Malevič).
- Avant-gardes (Futurism, Cubism, Metaphysics, Dadaism, Surrealism)
Second module:
- Art in Italy between the Twenties and the Forties (from Novecento to the Bergamo Prize)
- Guernica, 1937.
- Art informel
- Abstract Expressionism.
- New Dada.
- Pop Art.
- Minimalism.
- Land Art.
- Arte povera.
- Conceptual Art.
- The Eighties (Transavanguardia).
- The Nineties (Relational Aesthetics, Postproduction, mixed media).
- The 2000s (case studies, from video art to photography).
- The death of Marat of J.L. David (1793).
- Realism and Naturalism.
- Manet.
- Impressionism.
- Post-Impressionism.
- Primitivism between the nineteenth and twentieth centuries.
- Abstract art (Kandinsky, Mondrian, Malevič).
- Avant-gardes (Futurism, Cubism, Metaphysics, Dadaism, Surrealism)
Second module:
- Art in Italy between the Twenties and the Forties (from Novecento to the Bergamo Prize)
- Guernica, 1937.
- Art informel
- Abstract Expressionism.
- New Dada.
- Pop Art.
- Minimalism.
- Land Art.
- Arte povera.
- Conceptual Art.
- The Eighties (Transavanguardia).
- The Nineties (Relational Aesthetics, Postproduction, mixed media).
- The 2000s (case studies, from video art to photography).
Course program - 2 semester - last names M-Z
First module:
- 1815: Art and Restoration (Ingres, Gericault, Delacroix).
- Medievalism.
- Realism and Naturalism.
- Manet.
- Impressionism.
- Post-Impressionism.
- Primitivism between the nineteenth and twentieth centuries.
- Abstract art (Kandinsky, Mondrian, Malevi?).
- Avant-gardes (Futurism, Cubism, Metaphysics, Dadaism, Surrealism)
Second module:
- Art in Italy between the Twenties and the Forties (from Novecento to the Bergamo Prize)
- Guernica, 1937.
- Art informel
- Abstract Expressionism.
- New Dada.
- Pop Art.
- Minimalism.
- Land Art.
- Arte povera.
- Conceptual Art.
- The Eighties (Transavanguardia).
- 1815: Art and Restoration (Ingres, Gericault, Delacroix).
- Medievalism.
- Realism and Naturalism.
- Manet.
- Impressionism.
- Post-Impressionism.
- Primitivism between the nineteenth and twentieth centuries.
- Abstract art (Kandinsky, Mondrian, Malevi?).
- Avant-gardes (Futurism, Cubism, Metaphysics, Dadaism, Surrealism)
Second module:
- Art in Italy between the Twenties and the Forties (from Novecento to the Bergamo Prize)
- Guernica, 1937.
- Art informel
- Abstract Expressionism.
- New Dada.
- Pop Art.
- Minimalism.
- Land Art.
- Arte povera.
- Conceptual Art.
- The Eighties (Transavanguardia).