Menù principale
B003381 - HISTORY OF MEDIEVAL ART
Main information
Teaching Language
Course Content
Suggested readings
Learning Objectives
Prerequisites
Teaching Methods
Further information
Type of Assessment
Course program
Academic Year 2015-16
Coorte 2015 - 3-years First Cycle Degree (DM 270/04) in HISTORY OF ARCHAELOGY, FINE ARTS, ARCHIVES AND LIBRARIES
Course year
First year - First Semester
Belonging Department
History, Archaeology, Geography, Fine and Performing Arts (SAGAS)
Course Type
Single education field course
Scientific Area
L-ART/01 - HISTORY OF MEDIEVAL ART
Credits
12
Teaching Hours
72
Teaching Term
21/09/2015 ⇒ 22/12/2015
Attendance required
Yes
Type of Evaluation
Final Grade
Course Content
show
Course program
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Lectureship
Teaching Language
italian
Course Content
The fundamentals of History of medieval art, from IVth cent. to XVth cent., with un introduction to different problems of style, iconography and meanings in the historical and architectonical context.
Suggested readings (Search our library's catalogue)
P.L.De Vecchi - E.Cerchiari, Arte nel tempo, Milano Bompiani 1991 (ed edizioni
successive), vol. 1/II, pp. 512-651 e vol. 2/I, pp. 1-45 (cap.1, Il gotico internazionale).
G.Cantino Wataghin, Dalla tarda antichità all’arte bizantina, in Lezioni di Storia dell’Arte. Il Mediterraneo dall’antichità alla fine del Medioevo, Milano Skira 2001, pp.153-167.
A.Peroni, L’arte dei re e dei duchi longobardi, degli imperatori carolingi e degli imperatori tedeschi, ibid., pp.173-195.
X.Muratova, L’età delle cattedrali. Il romanico. L’arte dei secoli XI e XII, ibid., pp.201-229.
L.Bellosi, Da Cimabue a Giotto, ibid., pp.295-315.
A.De Marchi, Il gotico internazionale e le ambiguità di un naturalismo enciclopedico e mondano, ibid., pp.321-335
successive), vol. 1/II, pp. 512-651 e vol. 2/I, pp. 1-45 (cap.1, Il gotico internazionale).
G.Cantino Wataghin, Dalla tarda antichità all’arte bizantina, in Lezioni di Storia dell’Arte. Il Mediterraneo dall’antichità alla fine del Medioevo, Milano Skira 2001, pp.153-167.
A.Peroni, L’arte dei re e dei duchi longobardi, degli imperatori carolingi e degli imperatori tedeschi, ibid., pp.173-195.
X.Muratova, L’età delle cattedrali. Il romanico. L’arte dei secoli XI e XII, ibid., pp.201-229.
L.Bellosi, Da Cimabue a Giotto, ibid., pp.295-315.
A.De Marchi, Il gotico internazionale e le ambiguità di un naturalismo enciclopedico e mondano, ibid., pp.321-335
Learning Objectives
The purpose is to supply a fundamental knowledge of the topic and problems of the History of medieval art in Italy.
Prerequisites
A knowledge of basic rudiments of medieval history.
Teaching Methods
The class is supported by projection of images of monuments and works of art that are objet of discussion. The class is followed by some visit to church and museum.
Further information
The pictures showed in the class are available as pdf in the e-learning platform, in the University of Florence website. A visit to museums and churches of Pisa and Siena is scheduled for two days on January. The teacher sees the students any Wednesday between 1pm and 7pm, in his room (via Gino Capponi 9).
Type of Assessment
The examination consist in an oral interrogation. The student must recognize and comment the pictures showed.
Course program
1. Medieval art between mimesis and abstraction.
2. The rediscovery of the nature, space and expression.
3. The revival of ancient art.
4. The social position of the artist in the Middle Age and the image of the power.
5. Architectural spaces and decoration: the iconographic programs, the decorative systems and the illusionistic value.
6. Technic and style, conservation and restoration.
7. Methodological topic: the material analysis, the context rendering.
8. The crisis of the classical naturalism between late antiquity and early Christian age.
9. Ravenna, the Giustinian age and the genesis of the byzantine art.
10. Le barbarian invasions, the art under the Longobard and the Carolingian renovatio.
11. The rebirth of the 1000th a.C.
12. Romanesque art in Europe and in north Italy.
13. The south Italy and the Sicily under the Normand, XI-XIIth cent.
14. Venice in the XI-XIIIth cent. between East and West.
15. Architecture, Sculpture and Painting in Tuscany in Romanesque age.
16. Genesis and development of the Gothic style in the XIIIth cent. in Europe.
17. From the Federico II court to Nicola Pisano.
18. The Heritage of Nicola: Giovanni Pisano and Arnolfo di Cambio.
19. The painting in the XIIIth cent. and the byzantine influences.
20. Art and Piety: the Depositio Christi and the painted Cross.
21. Form and function in the development of the altarpiece from the dossal to the gothic polyptych.
22. The renovation of the painting from Cimabue to Duccio.
23. The centrality of Assisi and the beginnings of the Giotto revolution.
24. Giotto’s trips and the naissance of local schools of paintings.
25. The painting at Florence in the XIVth cent.
26. The position of Siena and Avignon in the XIVth cent.
27. Venice mundus alter.
28. Courtly art in the North Italy: Scaligeri, Carraresi e Visconti.
29. The international Gothic in Europe.
30. From Gentile da Fabriano to Pisanello.
2. The rediscovery of the nature, space and expression.
3. The revival of ancient art.
4. The social position of the artist in the Middle Age and the image of the power.
5. Architectural spaces and decoration: the iconographic programs, the decorative systems and the illusionistic value.
6. Technic and style, conservation and restoration.
7. Methodological topic: the material analysis, the context rendering.
8. The crisis of the classical naturalism between late antiquity and early Christian age.
9. Ravenna, the Giustinian age and the genesis of the byzantine art.
10. Le barbarian invasions, the art under the Longobard and the Carolingian renovatio.
11. The rebirth of the 1000th a.C.
12. Romanesque art in Europe and in north Italy.
13. The south Italy and the Sicily under the Normand, XI-XIIth cent.
14. Venice in the XI-XIIIth cent. between East and West.
15. Architecture, Sculpture and Painting in Tuscany in Romanesque age.
16. Genesis and development of the Gothic style in the XIIIth cent. in Europe.
17. From the Federico II court to Nicola Pisano.
18. The Heritage of Nicola: Giovanni Pisano and Arnolfo di Cambio.
19. The painting in the XIIIth cent. and the byzantine influences.
20. Art and Piety: the Depositio Christi and the painted Cross.
21. Form and function in the development of the altarpiece from the dossal to the gothic polyptych.
22. The renovation of the painting from Cimabue to Duccio.
23. The centrality of Assisi and the beginnings of the Giotto revolution.
24. Giotto’s trips and the naissance of local schools of paintings.
25. The painting at Florence in the XIVth cent.
26. The position of Siena and Avignon in the XIVth cent.
27. Venice mundus alter.
28. Courtly art in the North Italy: Scaligeri, Carraresi e Visconti.
29. The international Gothic in Europe.
30. From Gentile da Fabriano to Pisanello.